Largest Pan Tianshou exhibition opens in Hangzhou

Chinese Beautiful Landscape, 1959. [Photo provided to chinadaily.com.cn]

For Pan, Yandang Mountain was not only a painting subject, but also a place of spiritual significance. From the ravines enveloping each other on Yandang Mountain, he learned the beauty of arranging mountains, waters and flowers in an irregular way; from bluffs and cool waterfalls, as well as strange rocks and trees, he absorbed the solidity and firmness in brushwork and modeling.

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