Global EditionASIA 中文雙語Fran?ais
Opinion
Home / Opinion / Barry He

Millennials changing how we see things

By Barry He | China Daily Global | Updated: 2019-05-10 00:22
Share
Share - WeChat

The way we view digital media is constantly changing. A decade ago, cathode ray television sets were still commonplace around the world, having faithfully displayed broadcasts in a square box for years. Then along came widescreen TVs, with the promise of a sleek horizontal cinematic 16:9 aspect ratio that claimed to effectively mimic the scope of the human eye. By the turn of the last decade, it was a common sight to see such displays springing up in middle-class homes across the developed world.

Nowadays, the way in which most people view digital video content has literally been turned on its head. Social media apps such as Instagram and TikTok offer the 16:9 ratio turned vertically, catering for the view taken by the smartphone generation. Photos cropped to the more square 4:5 ratio are also common, but the design of current smartphones mean that vertical 16:9 is king.

With companies such as TikTok already reportedly boasting 40 million teen users in the United States, advertisers and social media influencers alike are adapting their content to be viewed in this manner. News outlets such as The Economist and the BBC now even offer 16:9 ratios for journalistic pieces and interviews running several minutes long, a far cry from when 16:9 was associated with amateur smartphone photography and disposable spam adverts.

Traditionalists lament this current trend. Arguably, orthodox television and film in widescreen horizontal aspect ratios does mimic the cinemascopic nature of our eyes. Despite the fact that our eyes are not strictly rectangle horizontal 16:9 in view, they still hold similarities and despite individual variation, most people see the world in 5:3.

Samsung have released a TV that caters for this new viewing trend. The Samsung Sero is a 43-inch TV designed with millennials in mind, and can be switched so that it is set up vertically. The aim is to encourage mobile users to cast content onto the larger screen and provide an accurate scaled-up representation of what is seen on our pocket screens.

Progressives say this aspect ratio is better suited to video logging or "vlogging", as it sets up a person in portrait mode, where focus is given to the face, head and shoulders. This tall and thin setup is seen by some young people to be slightly more natural than traditional horizontal widescreen setups. Tapping into our smartphone addictions, this new form of TV could be the future of how we view digital media, which now, inevitably, comes more and more in mobile form.

This inevitability may come sooner than we like to think. Flipping how we see the world by 90 degrees may seem like a big ask on the big screen, but as mobile phone users, we watch content vertically and use our smartphones in this fashion 94 percent of the time.

Vertical videos drive much higher engagement on social media, and thus are also championed by digital advertisers. Snapchat estimates that vertical videos on its platform receive engagement rates that are as much as nine times higher than traditional formats.

All of this may come as a surprise to someone who has grown up with traditional horizontal widescreen televisions. However, it is worth bearing in mind that not too long ago when smartphones were released, people had no idea how to use them or which way to hold them.

Tutorials explaining how to operate the camera and touch screen existed for hapless users who had not had the privilege of growing up in a smartphone generation. What we consider normal is constantly changing, and with this current significant generation of social media-raised millennials, changes much more significant than vertical televisions are afoot.

Most Viewed in 24 Hours
Top
BACK TO THE TOP
English
Copyright 1995 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
License for publishing multimedia online 0108263

Registration Number: 130349
FOLLOW US
主站蜘蛛池模板: 中文天堂最新版在线精品| 中文字幕在线观看一区二区三区| 91免费播放人人爽人人快乐| 手机看片日韩福利| 亚洲国产欧美日韩精品一区二区三区 | 182tv午夜精品视频在线播放 | 国产偷窥熟女精品视频大全| 999影院成人在线影院| 色哟哟视频在线观看网站| 日韩午夜福利无码专区a| 亚洲精品短视频| 美女免费精品高清毛片在线视| 国产视频你懂的| 东京热TOKYO综合久久精品| 日韩色在线观看| 亚洲欧美日韩一区在线观看| 精品国产三级a在线观看| 国产男女猛烈无遮挡| 99国产在线观看| 性xxxx18免费观看视频| 久久国产综合精品欧美| 欧美午夜小视频| 亚洲精品线在线观看| 精品久久免费视频| 国产成人精品日本亚洲直接| jizz在线看片| 成品煮伊在2021一二三久| 久久精品成人一区二区三区| 男人和女人在床做黄的网站| 国产一区二区三区久久精品 | mm131美女爱做视频在线看| 日本人强jizzjizz| 亚洲2022国产成人精品无码区| 狼群影院www| 国产亚洲精品成人久久网站| 69影院毛片免费观看视频在线| 我的极品岳坶34章| 久久精品一区二区三区日韩| 欧美一级黄色片在线观看| 免费一级毛片在线播放傲雪网| 香蕉视频禁18|